'Dark Emu injects a profound authenticity into the conversation about how we Australians understand our continent...[It is] essential reading for anyone who wants to understand what Australia once was, or what it might yet be if we heed the lessons of long and sophisticated human occupation.' — Judges for 2016 NSW Premier's Literary Awards
Dark Emu puts forward an argument for a reconsideration of the hunter-gatherer tag for pre-colonial Aboriginal Australians. The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating, and storing — behaviours inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence in Dark Emu comes from the records and diaries of the Australian explorers, impeccable sources.
Bruce's comments on his book compared to Gammage's: 'My book is about food production, housing construction and clothing, whereas Gammage was interested in the appearance of the country at contact. [Gammage] doesn't contest hunter gatherer labels either, whereas that is at the centre of my argument.'
Written for Virginia Woolf's intimate friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.
Winner of the 2018 Stella Prize
A collective memoir of one of Aboriginal Australia's most charismatic leaders and an epic portrait of a period in the life of a country, reminiscent in its scale and intimacy of the work of Nobel Prize-winning Russian author Svetlana Alexievich.
Miles Franklin Award-winning novelist Alexis Wright returns to non-fiction in her new book, Tracker, a collective memoir of the charismatic Aboriginal leader, political thinker, and entrepreneur who died in Darwin in 2015. Taken from his family as a child and brought up in a mission on Croker Island, Tracker Tilmouth returned home to transform the world of Aboriginal politics. He worked tirelessly for Aboriginal self-determination, creating opportunities for land use and economic development in his many roles, including Director of the Central Land Council. He was a visionary and a projector of ideas, renowned for his irreverent humour and his anecdotes. His memoir has been composed by Wright from interviews with Tilmouth himself, as well as with his family, friends, and colleagues, weaving his and their stories together into a book that is as much a tribute to the role played by storytelling in contemporary Aboriginal life as it is to the legacy of a remarkable man.
'A magnificent work of collaborative storytelling…It paints a vision of action and possibility for this continent that makes it required reading for all Australians and all those interested in this land.' — Sydney Morning Herald
'Wright builds, as much as anyone is able to in writing, a detailed portrait of a complex man, whose vision "to sculpt land, country and people into a brilliant future on a grand scale" is inevitably accompanied by an irrepressible humour and suspicion of authority.' — The Guardian
'Tilmouth was a man who worked through conversation and yarn more than with paper and pen, and this is a book about the place of the story in Indigenous culture and politics as much as it is about Tracker himself.' — The Monthly
'[Wright] enacts the complex relationship between self and community that a Western biography could not…There is a cumulative power in the repetitions, backtrackings and digressions the formula necessitates: a sinuous, elegant accommodation of selves. It is a book as epical in form and ambition as the life it describes.' — The Australian
'Wright's brace of ineffable, awkward, uncanny novels will be unravelled and enjoyed by readers when other contemporary fiction is forgotten. Tracker, a book performed by a folk ensemble rather than a solo virtuoso, adds to her enduring non-fiction oeuvre that captures the unique ground-level realpolitik of Aboriginal Australia.' — Australian Book Review
'Alexis Wright is one of the most important voices in our literary landscape…This is a landmark work – epic in its scope and empathy.' — Readings
'Alexis Wright's Tracker offers rich and complex storytelling, a kaleidoscope of voices that illuminates the remarkable Aboriginal leader Tracker Tilmouth and advances a new model of life writing.' — Tom Griffths, Australian Book Review — Books of the Year 2018
On her first day at a new school, Lily befriends one of the daughters of infamous painter Evan Trentham. He and his wife are trying to escape the conservatism of 1930s Australia by inviting other like-minded artists to live at their home. Lily becomes infatuated with this wild, bohemian lifestyle and longs to truly be a part of the family.
But as the years pass, Lily observes the way the lives of these artists come to reflect their art. Yet it's not Evan, but his own daughters, who pay the price for his radicalism. Almost 30 years later, Lily contemplates the ordinary path her own life took, how she has played it safe, but does freedom come at a cost?
Brought together once more, this is a story of the impact of loss, devotion and obsession, and the demise of one family.
How can four sisters build the futures they so desperately want, when the past is reaching out to claim them?
When the Patterson daughters return home to Meadow Brook to be with their father after their mother’s death, they bring with them a world of complication and trouble.
The eldest sister, obstetrician Madeleine, would rather be anywhere but her hometown, violinist Abigail has fled from her stellar career, while teacher Lucinda is struggling to have the children she and her husband so desperately want. The black sheep of the family, Charlie, feels her life as a barista and exercise instructor doesn’t measure up to that of her gifted and successful sisters.
Dealing with their bereft father who is determined to sell the family motel, their loves old and new and a series of troublesome decisions doesn’t make life any easier, but when they go through their mother’s possessions and uncover the shocking secret of an old family curse, they begin to question everything they thought they knew.
A warm and wise novel about secrets revealed, finding your soulmate and the unique bond between sisters.
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