Longlisted for the 2019 Stella Prize
Shortlisted for the NSW Premier's Literary Awards 2019 for The Douglas Stewart Prize for Non-Fiction
Longlisted in the 2019 Indie Book Awards for Nonfiction
This boundary-shifting fusion of thinking, storytelling, and meditation takes as its starting point five axioms:
• ‘Give Me a Child Before the Age of 7 and I’ll Give You the (Wo)Man’• ‘History Repeats Itself…’• ‘Those Who Forget the Past are Condemned to Repeat It’• ‘You Can’t Enter The Same River Twice’• ‘Time Heals All Wounds’.
These beliefs — or intuitions — about the role the past plays in our present are often evoked as if they are timeless and self-evident truths. It is precisely because they are neither, yet still we are persuaded by them, that they tell us a great deal about the forces that shape our culture and the way we live.
The past shapes the present — they teach us this in schools and universities. But the past cannot be visited like an ageing relative; the past doesn’t live in little zoo enclosures. Half the time, the past is nothing less than the beating heart of the present. So, how to speak of the searing, unpindownable power that the past — ours, our family’s, our culture’s — wields now?
'Tumarkin’s book is breathtaking in its audacity, its deep empathy, and its intellectual rigour. It’s unlike anything I have ever read.' — Michelle DeKretser, Australian Book Review — Books of the Year 2018
'There is a convention, towards the end of a review, to compare the writer with their peers, contemporary or long gone, to situate them in a continuum, to give a curious reader an idea of what they would expect. But to compare this work to anything on the shelves would be a disservice and, besides, the sheer breathtaking ambition of it has humbled and shamed me out of it ... With Axiomatic, Tumarkin is simply operating on a higher level to the rest of us.' — Liam Pieper, The Australian
'Nobody can write like Maria Tumarkin: she charges headlong into the worst and best of us, with an iron refusal to soften or decorate; sentences bare of artifice, stripped back to the bone, to the nerve; fired by raging grief and love.' — Helen Garner
'Maria Tumarkin writes of difficult topics with utmost integrity. Axiomatic is a dark gift: heartfelt, painful, full of sorrowful compassion. From schools, courtrooms, prisons, refugee camps, Soviet spaces and more personal inner life, come stories that break open the silence of suicide and the mystery of spirited persistence.' — Gail Jones
'A brilliant kaleidoscope of arresting observations on suffering and innocence in modern times, Axiomatic is by turns illuminating, infuriating, engrossing and even amusing. I feel ambushed.' — Robert Dessaix
Shortlisted for the 2020 NSW Premier’s Literary Awards Douglas Stewart Prize for Non-fiction
The follow-up to Fiona Wright’s essaycollection Small Acts of Disappearance– winner of the Nita B. Kibble Award and the Queensland Literary Award for Non-fiction,shortlisted for the Stella Prize and the NSW Premier’s Award for Non-fiction.
Our bodies and homes areour shelters, each one intimately a part of the other. But what about those whofeel anxious, uncomfortable, unsettled within these havens? In The World WasWhole, Fiona Wright examines how we inhabit and remember the familiar spacesof our homes and suburbs, as we move through them and away from them into thewider world, devoting ourselves to the routines and rituals that make up ourlives. These affectingly personal essays consider how all-consuming theengagement with the ordinary can be, and how even small encounters andinteractions can illuminate our lives.
Many of the essays are setin the inner and south-western suburbs of a major Australian city in the midstof rapid change. Others travel to the volcanic coastline of Iceland, themega-city of Shanghai, the rugged Surf Coast of southern Victoria. The essaysare poetic and observant, and often funny, animated by curiosity and candour.Beneath them all lies the experience of chronic illness and its treatment, andthe consideration of how this can reshape and reorder our assumptions about theworld and our place within it.
'In this exquisite follow-on from her award-winning memoir-in-essays Small Acts of Disappearance, Fiona Wright continues to set the standard for the essay form in Australia.' — Jo Case, Books+Publishing
Praise for Small Acts of Disappearance:
'Wright has a gift for compression, lyricism, and apoet’s ear for rhythm, all of which animate even the most heartbreakingpassages.' — The Australian
'Each essay works as a kindof poetic auto-ethnography, moving between inexplicable realities of the selfand those of the world-at-large; between life’s surfaces and interiors.' — Sydney Morning Herald
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