Music and religion have, throughout history, walked hand in hand. In the rites and rituals of small tribal religions, great world religions, and more recent New-Age, neo-pagan and neo-heathen movements, different kinds of music have been used to celebrate the gods, express belief and help believers get in contact with the divine. This innovative book focuses on how mainstream and counter-cultural groups use religion and music to negotiate the challenges of modernisation and globalisation in the European context: a region under-explored by existing literature on the subject. With its internal ethnic diversity, ever-expanding borders and increasing differentiation, Europe has undergone massive dislocation - social, psychological and economic - in recent years. The authors here show that, in the midst of such change, rock, pop and dance music may in their various forms be used by practitioners as resources for new kinds of spiritual and religious identification, even as these forms are used as symbols of the corruption or wider deficiencies of secular society. Focusing on Christianity, Judaism, Islam and New Religious Movements - and on communities and activities where 'local' and 'global' closely interlink - the book explores such topics as Norwegian Black Metal and Neo-paganism; Christian metal in Finland; contemporary Jewish Music in the UK; the French rap and hip hop scene; the musical thinking of Muslim convert Cat Stevens/Yusuf Islam; and the implicit religion of European dance music culture. Offering an ideal introduction to leading-edge thinking at the exciting interface of 'music and religion', Religion and Popular Music in Europe shows how, through diverse musical and religious expression, Europeans increasingly seek and find new vehicles of sacred meaning and identity.
Religion and Popular Music in Europe
New Expressions of Sacred and Secular Identity