The dialectical principle of Hegel's theory of tragedy exposes the tragic essence of revolution: the totalized claims of revolutionary ideas contradict their particularized results. Dr. Chen's analysis of Georg Buchner's "Dantons Tod," Ernst Toller's "Masse Mensch," and Bertolt Brecht's "Die Massnahme" demonstrates that revolutionary theories employ structures of Hegel's interpretations of history. The revolutionary theories of history assume the role of the "Weltgeist" itself, whose implementation entails antihumanist actions. In the hybris of the equation of revolutionary theory and "Weltgeist," the Hegelian philosophy of history unveils its own tragic structure, which, in turn, is described by Hegel's theory of tragedy."
Inversion of Revolutionary Ideals
Studies on Themes and Motifs in Literature