From the acclaimed biographer of Ernest Hemingway, Humphrey Bogart, and
Errol Flynn comes the first complete biography of the legendaryJohn Huston, the extraordinarydirector, writer, actor, and bon vivant who madeiconic films such asThe Maltese Falcon,The Treasure of the Sierra Madre,The Asphalt Jungle,andThe African Queen-and lived one of the mostvibrant, eventful lives in Hollywood history.
An actor in the 1920s and scriptwriter in the 1930s, John Huston made his dazzling directorial debut in 1941 withThe Maltese Falcon. His career as a filmmaker spanned some fifty-seven years and yielded thirty-seven feature films. He made most of his movies abroad, spent much of his life in Ireland and Mexico, and remains one of the most intelligent and influential filmmakers in history. With equal attention given to Huston’s impressive artistic output and tempestuous personal relationships, biographer Jeffrey Meyers presents a vivid narrative of Huston’s remarkably rich creative life.
The son of the famous stage and screen actor Walter Huston, John Huston was born in Nevada City, Missouri, and suffered from a weak heart that forced him to live as an invalid for much of his childhood. One day, however, he impulsively left his sickbed, dove over a waterfall, swam into a raging river and began to lead a strenuous life. He became an expert sportsman as well as a boxer, bullfighter, hunter, soldier, gambler and adventurer. Though he didn’t finish high school, he was a man of true genius: a serious painter and amusing raconteur, playwright and story writer, stage and screen actor, director of plays on Broadway and operas at La Scala, autobiographer and political activist who crusaded against Senator Joseph McCarthy’s anticommunist witch hunts in Hollywood. He was a discerning collector of art and connoisseur of literature, food and wine. Passionate about horses and women, he had five successively younger wives.
Meyers chronicles Huston’s extraordinarily peripatetic life and examines his rise as a great masculine artist in the formidable tradition of Melville, Conrad and Hemingway, whose persona, ethos, prose style and virile code had a powerful influence on his life and work. Thirty-four of Huston’s thirty-seven films adapted important novels, stories and plays, and Meyers perceptively describes how Huston brilliantly transformed the written word into the cinematic image. Huston’s dominant theme is the almost impossible quest, tempered by detachment and irony. His heroes sacrifice honor in pursuit of wealth but fail in that venture, are mocked by cruel fate and remain defiant in the face of defeat. Based on research in Huston’s personal and professional archives, and interviews with his children, friends and colleagues, this is the dramatic story of a courageous artist who, Meyers persuasively argues, is “one of the most fascinating men who ever lived.”
Handbook of Families and Work
University Press of America, Incorporated
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